The food goes down slowly, bite by small bite. The smoked fish, the fruit, the warm bread—none of it is fancy, but all of it is **kind**, in the way of food that asks nothing more from you than to be eaten.
The lake-herb tea cools in your hands. Each sip settles a different piece of you:
* first your chest,
* then your shoulders,
* then that knot just behind your eyes that’s been aching since the ship and the docks and the goodbye.
The room around you stays the same:
the clean bed, the basin, the strip of sky in the high window, the quiet.
What changes is your **awareness** of the wall.
Every so often, between bites and sips, a small sound comes through the stone:
* the creak of a mattress shifting under a heavy body,
* the low, abrupt exhale of someone rolling onto a sore limb,
* once, the faintest, half-swallowed groan that sounds… familiar.
Too muffled to be sure. Clear enough that your heart stutters anyway.
Then, stillness again.
Quiet Shore moves around you:
* distant footsteps passing down the corridor,
* a door far away opening and closing,
* the soft, steady whisper of air through hidden vents above.
But here, in your room, it’s just:
* you,
* the almost-empty plate,
* the cooling cup,
* and that sense of a tired presence on the other side of the wall.
You finish the last bite, tear off the last piece of bread, chase it with the last swallow of tea. The tray sits warm and solid on the small table. Your stomach feels pleasantly full, your limbs heavy in that *could-sleep-if-I-let-myself* way.
Your gaze keeps coming back to the same place:
Not the door to the hall.
Not the bolt.
The section of wall where, if this were any other building, you could knock and someone might answer from the other side.
You **haven’t moved** yet.
Right now, Laika is:
* sitting on the bed or at the edge of it,
* plate and cup mostly empty,
* ears pricked just a little toward that wall,
* mind drifting between *rest* and *go find out*.
The corridor outside is emp